Showing the short film and the miniature model of the theatre, Jason invites participants to recollect and share their memories of the theatre. Shedding light onto the past, he hopes to discuss the building's future.

Yam Gong
Born in Hong Kong, Yam Gong began writing poetry in the 1970s. He has received the Hong Kong Youth Literature Award (1983) and the Workers’ Literature Award (1982; 1984), and, in 1998, he received the Hong Kong Biennial Award for Chinese Literature for his first book And So You Look at Festival Lights along the Street (1997) .In 1987, he co-founded the poetry magazine One-Ninth and was involved in editing the first few issues. He has presented his work at various literary festivals, such as the International Poetry Nights in Hong Kong, the Macau Literary Festival, and the Taipei Poetry Festival, among others.
Chow Yik Lam (b. 1992 in Hong Kong), has published Sunset Siesta, The hole opened by kids and A Tunnel With No Cars.

‘Stray in Chi Ma Wan’ is a tour to discover more stories behind this ex-Chi Ma Wan Detention Camp. Besides, you will also see stray buffaloes and a hidden reservoir in Chi Ma Wan.

Take a walk and make handicrafts with the Mui Wo neighbors, and see how Mui Wo people rediscover the uniqueness and loveliness of the Mui Wo community.

Looking at how meaning is constructed in architecture and how it mediates between the past, present and future, this project seeks to intervene in the Cheung Chau Theatre through action in space.

Peng Chau Cinema, an abandoned space, still full of old chairs and memories.

What kind of narrative would there be if we look at the world not from the perspective of land, but from the perspective of islands and oceans?

Casual conversations touching on personal memories, imagination and research about islands, crystallising long-lost memories and stories of the islands.

Traditions require three conditions to survive through circles of life: communities, free public space and the resilient local knowledge.

Explore our impact to the natural environment and community through a three-dimensional terrain map, as well as using buildings to illustrate the neighbourly relationship between Mui Wo and its surroundings.

In a casual conversation on the Peng Chau kaito ferry, we invite senior ferry operators to talk with history and logistics scholars.

In very personal short films, students from the primary school show us what Peng Chau is to them.

Eric and Johnny, co-authors of Empty City as well as Cheung Chau locals, will unveil the mysterious side of the island with you while tracing down the vestige of the dated culture engraved here.